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Sonor History

Posted: Sun Apr 27, 2025 7:53 pm
by Frank Godiva
Horst Link interview from 1985 issue of Modern Drummer.

“It is Sonor's range of drumkits and the company's dedicated, but possibly slightly controversial, approach to drum design that will be of most interest to readers of Modern Drummer. Sonor makes five different ranges of drums. They are, starting at the top: Signature (Heavy and Light), Sonorlite, Phonic, Phonic Plus, and Performer. For the purposes of instant recognition (the other differences will be dealt with as we go along), the Signature series has the gold badge, the Sonorlite series has the black badge, the Phonic series and Phonic Plus series have the silver badge, and the Performer series has a silver badge with a yellow flash below the logo. There would be a tendency for any potential customer to line up, in his or her mind, this range of drumkits alongside the products of any other company that makes a range of four or more different-quality kits and start thinking in terms of equivalents.

Sorry, but this just can't be done! In Europe, Sonor's Phonic/Phonic Plus range (the third one down!), which the company describes as the "foundation" of their program, is slightly more expensive than most British, American, or Japanese kits aimed at the professional end of the market. This means that they have two ranges that go beyond this level. The Performer is cheaper, but it is hardly a budget kit, being priced somewhere between anybody else's professional and mid-range kits. In America, Sonor drums are even more expensive, so the ratio becomes even more extreme. You could almost say that Sonor starts at the point where other drum companies leave off. Why?

I had a round-table discussion with Horst, Andreas, and Oliver Link, and also Steve Gardner, Director of Sonor UK, the British marketing operation, who gave the salesman's viewpoint. Horst Link explained their approach to quality in manufacturing. "We don't try to compete with the big manufacturers, like the Japanese, in terms of quantity; we compete with quality. We maintain a quality that is better and has a higher standard than anything else. Our drums are expensive there's no doubt about that-but we have no intention of making compromises. We will never sacrifice quality for a cheaper price. You might suggest that, if we brought the price down, we could sell more drums, but we can't bring the price down and maintain the quality. We would rather sell fewer drums than compromise in this way.

The idea of the Signature series was for us to come out with a drumkit that couldn't be made better. It should really be the best! Forget the price. Even if it was so expensive that nobody could afford it, we just wanted to build the best. We never intended it as a big seller, but as it turned out, it exceeded all our expectations. For the home market, we sell more Phonic, Phonic Plus, and Performer kits, but in other countries where we are 'in the lions' den' and the competition is greater, like America and Japan, the Signature is the best-selling kit in our whole range. There is also the fact that we sell more kits in America than anywhere else, so you can see how successful it has become."

Sonor buys a few small components such as screws, threaded bolts, small pressed items, and the rubber feet for stands. Three thousand different raw materials come into the factory, and they are used in the manufacture of 2,000 different parts. As certain parts are used for more than one item, they actually produce 2,800 different finished products.

It is part of Sonor's policy to manufacture "in series," in order to ensure that they always have enough manufactured items in stock to meet any orders that come in. This means that they will produce enough of the items that they have to tool up for at any one time, so that the relatively straightforward procedure of assembling them can be done quickly and efficiently on demand. This also means that a customer won't have to wait months, until the next time the production line is making a drumshell of a particular size. The shell can just be taken from stock, covered if necessary, and assembled.”

Re: Modern Drummer 1985 feature on Sonor

Posted: Sun Apr 27, 2025 8:44 pm
by Frank Godiva
More Sonor history

They made sticks, cymbals and heads among everything else




Re: Modern Drummer 1985 feature on Sonor History

Posted: Sun Apr 27, 2025 9:41 pm
by Frank Godiva
The entire 90s Designer video in German


Re: Sonor History

Posted: Fri May 09, 2025 3:22 pm
by Frank Godiva
“The country's leading drum manufacturer today is Sonor, a company that has been run by the same family for 110 years. It was founded in 1875 by Johannes Link, who had previously been a wood turner and tanner. Johannes Link started by producing military drums and drumheads, but within the next 25 years, his factory at Weissenfels expanded in size and in the range of instruments that it produced, so that by 1900, the company was manufacturing a full range of top-quality percussion instruments.

The 1899 catalog shows items like pedal timps, a snare drum with independent tuning for each head, and a snare drum stand-all of which we take for granted today, but which were up to the minute new ideas then.

Johannes Link died in 1914 and was succeeded by his son Otto The company continued to prosper in Weissenfels, under Otto Link's guidance, for the next 36 years. Strangely enough, however, it was another, quite separate, career he had that indirectly made the company's present situation possible. Otto Link, as well as being an industrialist, was Honorary Consul to Sweden. In 1946 Otto's son, Horst, decided to move out of the Russian-controlled sector of Germany, because the Russians were arresting ex-officers and imprisoning them in Eastern Siberia, "which I wouldn't have liked," he now adds dryly.

He moved into the British sector, and rather than having anything to fear from the British Army, he was actually able to buy a disused barrack hut from them, which was to become the first Sonor factory in West Germany. So it was that Horst Link started doing business in the company's present location of Aue in Westphalia. He started by only making drumheads. The Sonor factory at Weissenfels was now in East Germany, and so were Horst's mother and father. When the border was closed in 1950, it was clearly only going to be a matter of time before the original Sonor factory would be expropriated and taken over by the State.

Preparations were made for Otto Link and his wife to escape to the West, but nothing was done until the police were sent to arrest Otto at his home. It was the family's maid who saved Otto, by saying that he had already left for the factory. Otto, meanwhile, climbed through a window at the back of the house and made good his escape. Frau Link was able to follow her husband a few months later, but not without having some adventures of her own. She had to pretend to be visiting a cemetery near the border, where some friends were standing by with a fast car to whisk her away. So father and son were reunited in the West, but at this stage, they had nothing except Horst's barrack-room drumskin plant. They needed land on which to build, skilled labor and capital. The local community in Aue welcomed them; the community was interested in the possibility of encouraging fresh industry in the area and it was relatively easy for the Links to obtain the land they needed.

The capital was to come from an unexpected quarter; a Swedish noblewoman, the Princess of Sayn-Wittgenstein, lived and owned land (and still does) near Aue. The then King of Sweden liked and respected Otto Link since his period as Consul in that country. Hearing about Otto's escape to the West, the King contacted the Princess and suggested that she might be able to help his old friend save his family business. So the Princess became a partner in the company, and remained so until the late '70s. Building up the company again from nothing was hard work. The family managed to keep the "Sonor" trademark, which had been registered by them in 1907, but they had very little to show for two generations of successfully building up the business in Weissenfels. (Owned by the East German)

Even the experience that had been developed during this time was mostly lost. Two craftsmen from Weissenfels managed to escape to the West and join Sonor in Aue, but otherwise they had to start training new people in an area where, previously, there had not been any manufacturing industry, only agriculture. It was another ten years before they had sufficient skilled craftspeople to develop the company in the way they wanted, but sadly, halfway through this period, Otto Link died.

Horst Link intimates that his father's death came as a double blow to him, because when it occurred, he didn't feel ready to take over the reins of the company, which was struggling to reestablish itself. But as so often happens in these situations, the son had no choice. Under his leadership, Sonor slowly and successfully grew until, in 1975 (100 years after his grandfather had founded the company), Horst Link had achieved what he had set out to do 20 years before.

There is now a fourth generation involved in the family firm. Andreas Link is currently understudying his father and acting as his assistant. I suggested that this makes Andreas the Vice-President. This amused him, and he said that if Modern Drummer wanted to give him this title, he would accept it. The younger son, Oliver, is a keen drummer and artist; his talents are put to good use in his job as Advertising and Promotion Manager. At 25, Oliver is very aware of, and interested in, today's music scene. The company's image is in his capable hands; he has some first-class products to promote, but they have to be presented to the drumming community in the right way.”

https://vintagesonor.com/history.htm

Re: Sonor History

Posted: Thu Jul 10, 2025 5:46 pm
by Frank Godiva

Another great write up in German. Use your favorite translation method to English

History of Drums: 150 years of Sonor Drums – the drum maker in portrait

https://www.bonedo.de/artikel/history-o ... vVixwU6T6Q