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KHS and the Sonor connection... (and disconnects?)

Trying to track it all...

All discussion about Sonor drums — past and present. Opinions, comparisons, and general talk.


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Jules
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KHS and the Sonor connection... (and disconnects?)

Post by Jules »

I am trying to put together some information and make some sense of a few things. I have "My Life In Percussion" by Karl Dustman who was the original Executive Vice President of HSS. I have read the HSS and Sonor related information before but am going to go through it again this weekend.

I will say that I take some of his information with a grain of salt. Some things I am sure he is an authority on, but some things he got wrong. For instance, he thought that several of Sonor's hardware series were just different color. It was HiLite Exclusive, Signature and either Protec or Phonic HiTech.

At any rate, I will find a nice quiet spot outside this weekend and reread .

Presently, what I have found of interest is that while KHS (JMT) made the Sonor International Series which was actually spec'd by Hohner; the drums later developed and marketed by HSS and designed by Buz King (Slingerland and Sonor Force/Force Custom) were made by a different factory in Asia (Taiwan, I think)

I am going to get another interview with Buz soon. We have scheduled in the past and he had to push.

Thanks for coming!

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Post by Frank Godiva »

I’ve gotten some much of this story confused and incorrect over the years. Really looking forward to your findings.

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Post by Jules »

Karl Dustman, or Buz King?

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Post by Frank Godiva »

Just the whole company lineage story post Link family. Korg in there somewhere somehow as well right?

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Post by Jules »

Yep and Charles Alden. Lots of stuff to it.

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Post by Jules »

Feel free to ask specific questions in the post, Frank. I am going to use it to add details as I dig them up...

Here is something that may shine some light...

The Ownership of Sonor
Historically, Sonor was a family-owned German company led by Horst Link (the grandson of the founder). However, its presence in the United States was managed through a distribution model rather than direct ownership. By the time HSS was formed, Hohner owned 40-50% of Sonor.

The Alden Era: For a long time, the Charles Alden Music Company in Massachusetts held the exclusive rights to distribute Sonor drums in the U.S.

The Robert Zildjian (Sabian) Connection: In the early 1980s, Bob Zildjian (who had recently split from his brother to form Sabian) bought out Charles Alden Music because Alden was terminally ill and the company was struggling financially. By purchasing Alden, Bob Zildjian effectively gained control over Sonor’s entire U.S. distribution network.

The Hohner Era: Horst Mucha (of Hohner) and Bob Zildjian eventually partnered. Historically, this relationship deepened until Hohner officially purchased Sonor from the Link family in 1991, fully integrating the brand into the Hohner corporate umbrella.

The Reason Behind Creating HSS
HSS (Hohner-Sonor-Sabian) was a strategic joint venture formed to solve deep financial and logistical "headaches" for all three brands in the American market.

  1. Financial Salvation

Both Hohner-USA and Charles Alden Music (the Sonor/Sabian distributor) were bleeding money. Hohner’s investment in the wholesaler Targ & Dinner was failing, and Alden was "teetering on going out." By merging their operations into HSS, they could pool resources and cut the massive overhead costs that were sinking them individually.

  1. Strategic Prestige & Diversification

Hohner-Germany realized that while they were the kings of harmonicas and accordions, their attempt to slap the "Hohner" name on drums and amps was failing because customers didn't view them as a "serious" drum or guitar brand.

Sonor provided the prestige and "high-end" drums reputation that Hohner lacked.

Sabian gave them a top-tier cymbal line to round out a complete percussion catalog.

  1. Distribution Synergy

Bob Zildjian needed a robust way to get his new Sabian cymbals (made in Canada) into U.S. stores. By joining forces with Hohner, they created a powerhouse sales force that could walk into any music shop and offer a "one-stop-shop" for the three major pillars of a music store: percussion (Sonor/Sabian), folk instruments (Hohner), and accessories.

Key takeaway: HSS wasn't just a marketing name; it was a "life raft" that allowed three legendary brands to survive a brutal 1980s economy by sharing warehouses, sales reps, and shipping costs.

Thanks for coming!

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Post by Frank Godiva »

Fantastic write up! Lots of info in there that I certainly wasn’t aware of. Thx!

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Post by Hazelwood7 »

Never knew that Jules! Thanks for the info. Sonor has had historical problems with USA distribution that seems to continue to this day. My thoughts are why this is a cult brand in America. There is no one over here selling this brand as hard as it should be. At timee, the customers so the marketing!

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