I know that over the years the slotted rod topic had been worn thin. But instead of debating over which one is better, this conversation is intended (we will see where it goes) to discuss why Sonor abandoned something that seemed to be a big part of its identity. Though, I am opening the discussion to WHY they did it instead of should have they have done it, open (respectful, factual discussion) is welcome.
Several companies over the years had used slotted rods so they were never a Sonor exclusive item. But, they were on all of Sonor's offerings well after most or all other companies had moved along to the more conventional square rods. But, the holdout didn't last forever.
From my personal perspective of years ago, slotted rods were one of the things unique about Sonor drums. At the time, I was certainly snobby about Sonor, and I probably wasn't alone.
The Sonor rods were an instant identifier that these drums were REALLY different to unfamiliar drummers. Sonor's finishes were top notch, the build quality was unrivaled, but the slotted rods seemed to make their own statement. And, they were made in-house and had the nice rounded butt on the threaded shank end. Aside from the rounded end providing more of a nice finished look opposed to the sheared and threaded ends of about one else's rods; they also made it a little easier to get the rods into the lugs.
Many people cited the fact that they could tune them with a quarter if they lost their drum key as a positive. But, I can't remember a time I was caught with an untuned drum and no drum key, personally, having several of them stashed in the car, drum cases, etc. But, I guess if you carry a lone drum key, and forget or lose it; it's a practical thing to be able to tune with something other than the key. (Plot twist: I ALWAYS have a drum key on my keyring and I NEVER carry coins these days)
But, getting the spotlight back on Sonor's transition to slotted rods; I think some of us legacy Sonor owners (is that a good term to use for us that have been Sonor nuts since the 'good old days'?) felt like Sonor was becoming more generic by such a move. For me, personally, the drums with square rods did lose some snob appeal. And being more of a gear head than a drummer's drummer, it was a little bit of a sucker punch at the time.
I am still a gear head, and more-so than a player even now. But, I really get the decision to move towards the more standard rods. I am going to cite an example of something, and it's a rather random example and not intended to suggest that this was the turning point for the decision. I remember when the Artist Series was released. As a dealer I had several of the in the shop, and the Artist weight hoops (as opposed to the Hellas that had been THE die cast hoop of Sonor drums up until that point) (sic) seemed like a dilution of the Sonor snare drum to some degree. For a legacy (there's that term again: keep using it, or stop using it???) Sonor nut, these drums seemed a little too generic. Let me say that despite the lighter weight die cast hoops, these snare drums really kicked ass! And still do. Not to mention they were much heavier than anything similar from competitors.
So what, exactly was Sonor thinking when they seemingly genericized this new series of snare drums? Well, I think back to a conversation I had long ago with Rusty Martin and him talking about market share. We probably weren't talking specifically about slotted rods and I truly don't remember what sparked the conversation. But, I remember being naive and wondered why it mattered what your market share was if overall you were getting good numbers in sales and profit based on your own history? And think about THIS, when did Sonor EVER seem to try to "run with the big boys" in terms of exposure and sales? They seemingly had (and have, maybe) a cult following. But then, I think about the movie "Other People's Money" and the scene where Danny Devito is addressing the stock holders and discussing "Buggy Whips". He said that the last company that made them probably made the best damn buggy whips you ever saw, but the quickest way to go broke is to get an increasing share of a shrinking market (paraphrased). Now, I concede that this doesn't directly translate to Sonor changing tension rods, but the point is that having too narrow of a scope is detrimental.
To try to tie these things together the best I can: how many people walking into a music store or drum shop and were drawn to an Artist series snare drum, played it and took it home? Of those that did, how many of them would not have been as impressed by having to have an extra drum key? To many us old-timers, the slotted rods were part of the Sonor identity. For Sonor, they were a stumbling block. Slotted rod memory locks probably turned off many people shopping for hardware. In my opinion, if you can get new drummers exposed to Sonor because of a snare drum, or hihat stand, they will probably buy more Sonor gear in the future.
And now, after all this time, I find very convenient to have square headed rods and memory locks. However, I do find it very intriguing that the current Slotted rods are still made in Germany as are the Hella hoops! But, every time I build up something in the configurator, I always spec square headed rods. They are still Sonor drums, and built better than ever and that's good enough of an identity for the little bit of brand snobbery I suppose I will always have. ![]()
